The public editor at the New York Times, Clark Hoyt, has posted a rather incredible recitation of the Walter Cronkite obituary fiasco. Here is the full correction, as printed:
The Arts
How Did This Happen? attempts to explain what cannot be properly explained. Cannot be explained, rather, beyond an admission of sheer incompetence. Adding to the misery, here is another correction, added just this Saturday:
An appraisal on July 18 about Walter Cronkite’s career misstated the name of the ABC evening news broadcast. While the program was called “World News Tonight” when Charles Gibson became anchor in May 2006, it is now “World News With Charles Gibson,” not “World News Tonight With Charles Gibson.”
This episode will surely go down in Journalism's history as a bright-line marker and it will likely be paired, perhaps many years from now, with a parallel reappraisal of both the "institution" writing the obituary as well as the subject of the obituary. Neither party will shine as brightly as they do today.
Review the comments posted to the public editor's piece and one might argue that something of a trifecta has been obtained; a skewering of the Washington Post as well. This gem is from Thom in DC:
This is even small potatoes to the Post's continuing to publish the drivel of that discredited newsroom roundheels, Sally Quinn, under the guise of writing on faith. In Washington her ravings are known as the whoroscopes!
Venial? Hardly, but the point is well-taken. When the epitaph of the New York Times as we thought we knew it (the younger generation doesn't care about this subject at all) is written, the assertion of intellectual heft for a television critic who can't be bothered with fact-checking will surely have to be noted. Could anything more casually sum up the decline? A television critic was given this assignment? With a known (and permissively accepted) reputation for factual errors? To write about Walter Cronkite?
Okay, so you knew you had a problem writer. Now, how did this happen?
Got that? If not, hang on for the nuance:
That, my friends, is one hell of an admission. Perhaps not as bad, though, as this:
Stanley said she was writing another article on deadline at the same time and hurriedly produced the appraisal, sending it to her editor with the intention of fact-checking it later. She never did.
“This is my fault,” she said. “There are no excuses.”
Bingo. But that didn't stop Clark Hoyt from including beaucoup excuses in his piece, none of which served the New York Times well. He should have taken a hint from Stanley; this was her fault. She started the chain of errors. But initiating the chain of errors is one thing, exposing the lack of competent professionals at that paper is quite another.
Who ever thought you could see this level of mistake made by the Times on such an important story and one in which it had a month to prepare?
Damn!



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